Tag Archives: Contra Costa Ballet

Awww, Nuts!

Contra Costa Ballet’s Story of the Nutcracker and Mark Foehringer Dance Proejct’s Nutcracker at Zeum
Friday, December 3, and Sunday, December 5, 2010
Countless kids get hooked on The Nutcracker the first time they see the Snow Queen bourrée onstage in a cascade of sparkles, and we—I mean, they—face dreadful withdrawal symptoms (lethargy, pique, bitter loss of illusion) if they don’t see The Nutcracker every year for the rest of their lives. But a full-length Nutcracker is a big commitment for a tot—sitting through that tedious grown-up party is a lot to ask before delivering the queen and her retinue.
That’s where little-kid-friendly productions come in: Ballet’s gateway drug, these hour-long introductions hit the highlights of plot, costume and music, whetting young appetites for the Nutcracker habit that’s sure to follow. And Contra Costa Ballet’s Story of the Nutcracker (at the Lesher Center for the Arts, Walnut Creek) and Mark Foehringer Dance Project’s Nutcracker at Zeum are just waiting to turn Bay Area children into happy Nutcracker heads.
Contra Costa Ballet's Story of the Nutcracker. Photo: Marty Sohl.

A twenty-year tradition, Story of the Nutcracker has introduced a generation of little ones to the holiday tale. Clocking in at one hour, with no intermission, this production honors the classical tradition with waltzing parents (mercifully shortening that pesky party to a few minutes), a full mouse battle, the international dances, the Waltz of the Flowers, and the grand pas de deux. The taped score is necessarily whittled down as well; musical transitions could be smoothed out here and there, but all of the famous passages are included.

Few, if any, families read E.T.A. Hoffman’s original story to children, so a guiding hand is a big help in identifying the characters and making Victorian culture relevant to today’s youngsters. Narrator Marlene Swendsen, herself dressed in period flair, ably leads children into the story (the narration doesn’t introduce the cultural dances, so parents may want to tell kids what they’re seeing) and wrapping it up at the end.

Most of the roles are danced by Contra Costa Ballet students, notably the talented and charismatic Alicia Wang as this year’s Clara. The school’s youth company performs the Ribbon Candy and Flowers ensembles, with the statuesque Kristen Isom in the plum role of the Rose. Superb local professionals play lead roles and cavaliers: this year, it’s John Segundo as King Mouse and Chinese Lion, Katarina Wester as the maid, Diablo Ballet’s Tina Kay Bohnstedt as the Sugar Plum Fairy, and from Company C Contemporary Ballet, Robert Dekkers as her graceful Cavalier, Taurean Green as Toy Soldier and Trepak, Edilsa Armendariz in a beautiful turn as Arabian Coffee, Kristen Lindsay as the Ribbon Candy lead, and Company C’s artistic director, Charles Anderson, as the mysterious Drosselmeier.

Across the Bay, Mark Foehringer Dance Project brought its Nutcracker at Zeum back for a sophomore run after a successful premiere in 2009. Fresh, colorful and inventive, this version gets a lot done with a cast of just 17 dancers, who manage miraculously quick costume changes in order to pull off multiple roles.

Nutcracker at Zeum. Photo: Rob Kunkle.

Condensing the story into a fast-moving 50 minutes, Nutcracker at Zeum makes a few tweaks for the sake of silliness and celerity: Mother Ginger and her rambunctious Kinder bring Drosselmeyer a gingerbread house; when the Mouse Queen sneaks in and nibbles on it, the annoyed toy maker and his nephew ship her off to Siberia. Naturally, the Mouse King comes looking for the missus, and the ensuing chaos sweeps up everyone from little girls with cupcakes on their heads to Clara in her pretty pink dress and Chinese Tea in a rainbow unitard.

The small stage at Zeum, a popular children’s museum near the Yerba Buena Center for the Arts, demands inventive staging, and Foehringer uses every inch of the house, including the aisles, to his advantage. Fortunately, the space is large enough to include the eight-piece Magik*Magik Orchestra, playing Tchaikovsky’s score as orchestrated by Oakland East Bay Symphony music director Michael Morgan. As energetic as the performance, the live music enriches the show—and kids’ theatrical education—immensely.

A superb cast lays a foundation of fine dancing beneath the lighthearted fun. Brian Fisher, Chad Dawson, LizAnne Roman, Taylor Ullery, Juan de la Rosa, Jetta Martin and Jaclyn Stryker play the major characters (and some of the minor ones); as a group, they’ve danced for some of the world’s best ballet and contemporary companies, and it’s easy to see why. Young dancer Thomas Woodman plays supporting roles, and two casts of kids charm alternate as sweets and soldiers. This is just the beginning for Nutcracker at Zeum, so we may well see them in the grown-up roles someday.

Story of the Nutcracker runs for one weekend
each year; look for tickets in autumn 2011.
Lesher Center for the Arts, 1601 Civic Drive, Walnut Creek
LesherArtsCenter.org or ContraCostaBallet.org

Foehringer Dance Project’s Nutcracker at Zeum
continues through December 19:
Saturdays 11 a.m., 2 p.m., 4 p.m. and Sundays 11 a.m., 2 p.m.
Zeum, 221 Fourth Street (@ Howard), San Francisco
$25  BrownPaperTickets.com or mfdpsf.org

© 2010 Claudia Bauer/SpeakingOfDance.com